Assess Sociological views on the relationship between crime and the mass media
March 24, 2012 Leave a comment
Crime and deviance make up a large proportion of news coverage. Williams and Dickinson (1993) found British newspapers devote up to 30% of their news space to crime.
However while the mass media show interest in crime they give a distorted image of crime, criminals, and policing. For example compared to the picture of crime we gain from official statistics the media over represent violent and sexual crime. For example Ditton and Duffy (1983) found that 46% of media reports were about violent or sexual crimes, yet these made up only 3% of all crimes recorded by the police. The media portray criminals and victims as older and more middle class than those found typically in the criminal justice system. Felson (1998) calls this the age fallacy. Media coverage exaggerates police success in clearing up cases. This is partly because the police are a major source of crime stories and want to present themselves in a good light and partly because the media over represent violent crime which has higher clear up rates than property crime. The media exaggerate the risk of victimisation especially to women, higher status individuals and whites. Crime is reported as a series of separate events without structure and without examining underlying causes. The media overplay extraordinary crimes and underplay ordinary crimes. Felson calls this dramatic fallacy. Media images lead us to believe that to commit or solve crime one needs to be daring and clever – the ingenuity fallacy.
There’s evidence of changes in the type of coverage of crime by the news media. For example Schlesinger and Tumber (1994) found that in the 1960s the focus was on murders and petty crime, but by the 1990s this was of less interest. The change came partly due to the abolition of the death penalty for murder and the rising crime rates meant crime had to be special to attract coverage. There’s evidence of an increasing preoccupation with sex crimes. For example Keith Soothill and Sylvia Walby (1991) found newspaper reporting of rape cases increased from a quarter of all cases in 1951 to over a third in 1985. They note that coverage consistently focuses on identifying a sex fiend or beast. The resulting distorted picture of rape is one of serial attacks carried out by psychopathic strangers. While they occur they’re rare, in most cases the perpetrator is known to the victim.
The distorted picture of crime painted by the news media reflects the fact that news is a social construction. News doesn’t exist out there waiting to be gathered up by a journalist. It’s the outcome of a social process where potential stories are selected while others are rejected. Stan Cohen and Jock Young note news is not discovered but manufactured.
A central aspect of the manufacture of news is the notion of news values. News values are criteria by which journalists and editors decide whether a story is newsworthy enough to make it into the news paper. If a crime story can be told in terms of these criteria it has a better chance of making the news. Key news values influencing the selection of crime stories include; immediacy, dramatisation, personalisation, higher status, simplification, novelty or unexpectedness, risk and violence. One reason why the news media give so much coverage to crime is that news focuses on the unusual and extraordinary, and this makes deviance newsworthy by definition since its abnormal behaviour.
We don’t just get our images of crime from the news media. Fictional representations from TV, cinema and novels are also important sources of our knowledge of crime because so much of their output is crime related. For example Ernest Mandel (1984) estimates from 1945 to 1984 over 10 billion crime thrillers were sold worldwide while 25% of prime time TV and 20% of films are crime shows or movies. Fictional representations of crime, criminals and victims follow what Surette (1998) calls the “law of opposites”; they are the opposite of official statistics and similar to news coverage. Property crime is under represented, while violence, drugs and sex crimes are over represented. While real life homicides mainly result from brawls and domestic disputes, fictional ones are the product of greed and calculation. Fictional sex crimes are committed by psychopathic strangers, not acquaintances. Fictional villains tend to be higher status, middle aged white males. Fictional cops usually get their man. However there are trends worth noting. The new genre of realitiy infotainment shows tends to feature young, non white underclass offenders. There’s also an increasing tendency to show the police as corrupt and brutal and less successful. Finally victims have become more central with law enforcers portrayed as their avengers and audiences invited to identify with their suffering.
There’s long been concern that the media have a negative effect on attitudes, values and behaviour; especially those groups thought to be most susceptible to influence, such as the young, lower classes and uneducated. In the 30s it was cinema, 50s, horror comics, 80s were video nasties. Recently rap lyrics have been blamed for encouraging violence and criminality. There are numerous ways in which the media cause crime and deviance, including imitation, arousal and glamorising offending. However most studies have found that exposure to media violence has a limited negative effect on audiences. However Sonia Livingstone (1996) notes despite such conclusions people continue to be preoccupied with the effects of the media on children because of our desire as a society to regard childhood as a time of uncontaminated innocence in the private sphere.
The media also exaggerate risks of certain groups of people becoming victims of crime such as young women and old people. There is therefore concern that the media may be distorting the public impression of crime and causing an unrealistic fear of crime. Research evidence supports the view that there a link between media use and the fear of crime. Similarly Schlesinger and Tumber (1992) found a correlation between media consumption and the fear of crime with tabloid readers and heavy users of TV expressing greater fear of becoming a victim, especially of physical attack and mugging. However the existence of such correlations doesn’t prove that media viewing causes fear. For example it may be that these who are already afraid of going out at night watch more TV just because they stay in more. Richard Sparks (1992) notes much media affects research, whether the media cause crime or cause fear of crime ignores the meanings viewers give to media violence. For example they may give very different meaning to violence in cartoons. This criticism reflects the Interpretivist view that if we want to understand the possible effects of the media we must look at the meanings people gives to that the see and read.
An alternative approach is to consider how far media portrayals of normal rather than criminal lifestyles might also encourage people to commit crime. For example left realists argue the mass media help to increase the sense of relative deprivation, the feeling of being deprived relative to others among poor and marginalised groups in society. Lea and Young (1996) argue in today’s society where even the poorest groups have media access the media present everyone with images of a materialistic good life of leisure, fun and consumer goods as the norm to which they should conform. The result is to stimulate the sense of relative deprivation and social exclusion felt by marginalised groups who cannot afford these goods. As Merton argues pressure to conform to the norm can cause deviant behaviour when the opportunity to achieve by legitimate means is blocked. In this instance the media are instrumental in setting the norm and thus promoting crime.
A further way the media cause crime and deviance is through labelling. Moral entrepreneurs who disapprove of a particular behaviour may use the media to pressure authorities to do something about the alleged problem. If successful their campaigning will result in the negative labelling of the behaviour and perhaps a change in the law. An important element in this process is the creation of a moral panic. A moral panic is an exaggerated over reaction by society to a perceived problem , usually driven or inspired by the media where the reaction enlarges the problem out of all proportion to its real seriousness. In a moral panic the media identify a group as a folk devil of threat to societal values. The media present the group in a negative stereotypical fashion and exaggerate the scale of the problem. Moral entrepreneurs, editors, politicians, police chiefs, bishops and other respectable people condemn the group and its behaviour. This usually leads to calls for a crackdown on the group. However this may create a self fulfilling prophecy that amplifies the very problem that caused the panic in the first place. For example in the case of drugs setting up special drug squads led the police to discover more drug taking. As the crackdown identifies more deviants there are calls for even tougher action creating a deviance amplification spiral.
Stanley Cohen (1972) examined media responses to disturbances between two groups of largely working class teenagers, the mods and rockers at English seaside resorts from 1964-66 and the way in which this crated a moral panic. Mods wore smart dress and rode scooters, rockers wore leather and drove motorbikes, though in the early stages distinctions were not so clear cut and not many young people identified themselves as belonging to a particular group. The initial confrontations started in Clacton in 1964 with a few scuffles and stone throwing. However although the disorder was minor the media over reacted. Cohen argues the media produced an inventory of what happened containing three elements. The first was exaggeration and distortion. The media exaggerated the numbers involved and the extent of the violence and damage, and distorted the picture through dramatic reporting and sensational headlines, even non events were news. The second element was prediction. The media regularly assumed and predicted further conflict and violence would result. The third element was symbolisation. The symbols of mods and rockers were all negatively labelled and associated with deviance. The media’s use of these symbols allowed them to link unconnected events. For example bikers in different parts of the country ho misbehaved could be seen as part of a more general underlying problem of disorderly youth. Cohen argues that the media’s portrayal of events produced a deviance amplification spiral by making it seem as if the problem was spreading and getting out of hand. This led to calls for an increased control response from the police or courts. This produced further marginalisation and stigmatisation of the mods and rockers as deviants and less tolerance of them and so on in an upward spiral. The media further amplified the deviance by defining the two groups and their sub cultural styles. This led to more youths adopting these styles and drew in more participants for further clashes. By emphasising their supposed differences the media crystallised two distinct identities and transformed two loose knit groupings into two tight knit gangs. This encouraged polarisation and helped to create a self fulfilling prophecy of escalating conflict as youths acted out, the roles the media had assigned them. Cohen notes that media definitions of the situation are crucial in creating a moral panic because in large scale modern societies most people have no direct experience of the events themselves and thus have to rely on the media for information about them. In the case of the mods and rockers this allowed the media to portray them as folk devils – major threats to public order and social values.
Cohen puts the moral panic about the mods and rockers in the wider context of change in post war British society. This was a period in which new found affluence, consumerism and hedonism of the young appeared to challenge the values of an older generation who lived through the hardships of the 30s and 40s. Cohen argues that moral panics often occur at times of social change, reflecting anxieties many people feel when accepted values seem to be undermined. He argues that the moral panic was the result of a boundary crisis where there was uncertainty about where the boundary lay between acceptable and unacceptable behaviour in a time of change. The folk devil created by the media symbolises and gives a focus to popular anxieties about social disorder. From a functionalist perspective moral panics can be seen as ways of responding to a sense of anomie or normlessness created by change. By dramatising the threat to society in the form of a folk devil the media raises the collective conscience and reasserts social controls when central values are threatened. Other sociologists have also used the concept of moral panics. For example Stuart Hall (1979) adopts a neo Marxist approach that locates the role of moral panics in the context of capitalism. They argue that the moral panic over mugging in the British media in the 70s served to distract attention from the crisis of capitalism, divide the working class on racial grounds and legitimate a more authoritarian style of rule. In addition to concern about mods and rockers and mugging commentators have claimed to indentify numerous examples of folk devils across the decades, such as asylum seekers, sex abuse and single parents.
However there are several criticisms of the concept of moral panics. It assumes that the societal reaction is a disproportionate over reaction, but who is to decide how proportional it can be? This relates to the left realist view that people’s fear of crime is in fact rational. There are questions on how the media amplify some problems but not others and why moral panics do not go on increasing indefinitely. McRobbie and Thornton (1995) argue moral panics are now routine and have low impact. In late modern society there is little consensus about what is deviant. Lifestyle choices that were condemned forty years ago such as single motherhood are no longer regarded as deviant and so it’s harder for the media to create panics about them.
The arrival of new types of media is often met with a moral panic. The same is true of the internet; because of the speed it has developed and its scale. The internet has led to fears of cyber crime. Douglas Thomas and Brian Loader (2000) define it as computer mediated activities that are illegal or considered illicit and are conducted through global electronic networks. Yvonne Jewkes (2003) notes the internet creates opportunities to commit conventional crimes such as fraud and new crimes using new tools such as software piracy. Wall (2001) identifies four types of cyber crime. Cyber trespass; crossing boundaries into others cyber property. It includes hacking and sabotage, such as spreading viruses. Cyber deception and theft; including identity theft, phishing and violation of intellectual property rights. Cyber pornography; including porn involving minors and opportunities for children to access porn on the net. Cyber violence; doing psychological harm or inciting physical harm. Cyber violence includes cyber stalking and hate crimes against minority groups as well as bullying by text. Policing cyber crime is difficult because of the sheer scale of the internet and the limited resources of the police, and also because of its globalised nature, posing problems of jurisdiction. Police culture also gives cyber crime low priority because it’s seen as lacking the excitement of more conventional policing. However new information and communication technology provides the police and state with greater opportunities for surveillance and control of the population. Jewkes (2003) argues ICT permits routine surveillance through use of CCTV.